A “richly informed if dour guide to the subject.” – Daniel Akst
“this book offers a call to Cynic action as well as a thoughtful introduction to Cynicism that would be suitable for readers at all levels.” – Hugh Roberts
Daniel Akst, The Wall Street Journal, 2 September 2020; Hugh Roberts, International Journal of the Classical Tradition, 21 September 2020; Marco Gervason, il Giornale, 4 October 2020; Gregory B. Sadler, YouTube, 8 March 2021; Ed Simon LA Review of Books, 5 May 2021.
In the media
Interviewed on ‘Start the Week: Classics and class’, BBC Radio 4, 25 May 2020; interviewed for ‘Is this the end of American optimism?’ Vox, 29 Oct 2020; cited in this analysis of President Jokowi’s cynicism, ‘Wajar Jokowi Klaim Pandemi Terkendali?’ www.pinterpolitik.com, 28 January 2021.
BBC Radio 4 Start the Week Interview
Interviewed from about 15 min 10 seconds on: https://www.bbc.co.uk/programmes/m000jfy6
From the blurb
A short history of cynicism, from the cultural derision of the ancients to the jaded negativity of the present.
“Everyone’s a cynic, yet few will admit it. Today’s cynics excuse themselves half-heartedly—“I hate to be a cynic, but…”—before making their pronouncements. Narrowly opportunistic, always on the take, contemporary cynicism has nothing positive to contribute. The Cynicism of the ancient Greeks, however, was very different. This Cynicism was a marginal philosophy practiced by a small band of eccentrics. Bold and shameless, it was committed to transforming the values upon which civilization depends. In this volume of the MIT Press Essential Knowledge series, Ansgar Allen charts the long history of cynicism, from the “fearless speech” of Greek Cynics in the fourth century BCE to the contemporary cynic’s lack of social and political convictions.
Allen describes ancient Cynicism as an improvised philosophy and a way of life disposed to scandalize contemporaries, subjecting their cultural commitments to derision. He chronicles the subsequent “purification” of Cynicism by the Stoics; Renaissance and Enlightenment appropriations of Cynicism, drawing on the writings of Shakespeare, Rabelais, Rousseau, de Sade, and others; and the transition from Cynicism (the philosophy) to cynicism (the modern attitude), exploring contemporary cynicism from the perspectives of its leftist, liberal, and conservative critics. Finally, he considers the possibility of a radical cynicism that admits and affirms the danger it poses to contemporary society.”
Diogenes, 1873, Jules Bastien-Lepage
A lecture in Pittsburgh
About the cover
The cover of Cynicism is inspired by a piece of 5th century B.C.E. pottery in the Ashmolean Museum of a dog scratching its ear, attributed to the painter Euergides.
See also Dictionary of cynicisms